Vimanam, a bilingual Telugu-Tamil film, graces the silver screen today, directed by debutant Siva Prasad Yanala and featuring a talented cast including Samuthirakani, Anasuya Bharadwaj, and Rahul Ramakrishna. Here’s our take on this heartfelt tale.
Plot Summary:
Set in a Hyderabad slum, Veerayya (Samuthirakani), a physically challenged individual, manages a community toilet complex to support himself and his son, Raju (Master Dhruvan). Raju, enamored by airplanes, nurtures a dream of taking flight. However, a shocking revelation about Raju sets Veerayya on an unexpected journey, forming the crux of the narrative.
Highlights:
Vimanam beautifully encapsulates the poignant bond between a father and son, stirring deep emotions within its audience.
Samuthirakani’s portrayal of Veerayya is commendable, capturing the essence of innocence, optimism, and unwavering parental love.
Master Dhruvan shines as Raju, his sincere performance resonating profoundly alongside Samuthirakani’s.
Anasuya Bharadwaj’s portrayal of Sumathi, a prostitute, despite limited screen time, leaves a lasting impact with her bold character. Additionally, Rahul Ramakrishna, Dhanraj, and Meera Jasmine deliver solid performances.
The film boasts captivating songs and concludes with a satisfying, emotionally charged climax, leaving viewers moved.
Drawbacks:
While the emotional core of Vimanam is compelling, a tighter screenplay could have enriched the storytelling experience. Director Siva Prasad Yanala’s debut could have benefited from a stronger focus on screenplay crafting.
Certain characters, like Rajendran, feel underutilized, and comedic interludes, while entertaining, occasionally disrupt the film’s emotional rhythm.
Greater exploration of characters portrayed by Dhanraj and Rahul Ramakrishna, with more emotionally charged sequences, could have added depth to the narrative.
Technical Aspects:
Director Siva Prasad Yanala presents a neat storyline, though a more refined screenplay could have elevated the film further. Vivek Kalepu’s cinematography captures the essence of the narrative, while Charan Arjun’s music enhances emotional resonance.
Editing by Marthand K Venkatesh is satisfactory, yet some trimming of unnecessary scenes could enhance the overall viewing experience. The film boasts commendable production values, exuding richness on screen.
Verdict:
Vimanam stands as a poignant emotional drama, offering a compelling concept albeit with a slower-paced narrative that may not appeal to all. Samuthirakani and Master Dhruvan’s stellar performances anchor the film, their emotive scenes forming its heart. For those comfortable with a measured pace and willing to overlook a few superfluous moments, Vimanam makes for a worthy weekend watch.