Abhishek Nama’s offspring, Devansh Nama and Anirudh Nama, stepped into the film industry with their debut in “Prema Vimanam,” a production by their father. The film, currently available on ZEE5, features notable performances by Sangeeth Shobhan and Saanvee Megghana. Let’s delve into an overview of the movie.
Plot:
The narrative revolves around Ramu (Devansh Nama) and Lachu (Anirudh Nama), sons of a financially struggling farmer. Their fascination with flight travel sparks a strong desire to experience it themselves, despite their economic constraints. Simultaneously, the film introduces Mani (Sangeeth Shobhan) and Abhita (Saanvee Megghana), a couple facing challenges due to caste issues. The film explores whether the children achieve their dream and if the couple’s love prevails.
Highlights:
The heartwarming story of the two kids is emotionally charged, blending innocence and humor seamlessly. Devansh Nama and Anirudh Nama exhibit remarkable finesse in their debut performances, particularly in scenes with Vennela Kishore. The intersection of the kids’ and the couple’s stories is gripping, with a well-established foundation. Sangeeth Shobhan delivers a convincing portrayal, showcasing a range of emotions effectively.
Noteworthy is Sangeeth Shobhan’s versatility, transitioning from comedic roles to displaying strength in emotional sequences. Saanvee Megghana’s impressive performance as Abhita adds depth to the narrative. The film’s musical score by Anup Rubens receives acclaim, with strong performances by the ensemble cast, including Anasuya, Vennela Kishore, Supreeth Reddy, Raj Tirandasu, and Goparaju Ramana.
Drawbacks:
While the children’s storyline is compelling, the love story appears generic, tackling caste issues in a conventional manner. Repetitive scenes contribute to a lack of novelty. The film’s pacing is inconsistent, resulting in some dull moments, especially in the lengthy post-interval and climax portions. A late twist in the plot feels overused, diminishing its impact. Some scenes may evoke a sense of déjà vu from previous films.
Technical Aspects:
Anup Rubens’ impressive musical composition and background score contribute significantly to the film’s appeal. Jagadeesh Cheekati’s cinematography stands out, effectively conveying emotions without excessive dialogue. The production values are commendable, although the editing could have been more refined.
Director’s Execution:
Director Santosh adeptly presents the children’s story but falls short in delivering a compelling love story. While successful in certain aspects, there is room for improvement in the overall execution of “Prema Vimanam.”
Verdict:
In summary, “Prema Vimanam” functions well in parts, particularly in portraying the children’s storyline. However, the love story falls into routine patterns, and the film, as a whole, falls short of expectations. The commendable performances of the lead actors, coupled with some engaging moments, salvage the movie to a certain extent.