Narudi Brathuku Natana Review: A Tale of Dreams and Struggles
Cast: Dayanand Reddy, Shivakumar Ramachandravarapu, Nithin Prasanna, Aiswarya Anil Kumar, Shruthi Jayan, Viva Raghav, and others
Director: Rishikeshwar Yogi
Producers: Sukumar Boreddy, Vivek Kuchibhotla, T.G. Vishwa Prasad, Sindhu Reddy
Music: Nyx Lopez
Cinematographer: Fahad Abdul Majeed
Editor: Rishikeshwar Yogi
Overview:
Shivakumar Ramachandravadupu’s latest film, Narudi Brathuku Natana, has finally arrived in theaters. Here’s a detailed review of how this drama fared.
Plot:
Satya (played by Shivakumar Ramachandravadupu) is an aspiring actor with big dreams, despite facing continuous rejection and criticism about his talent. His own family and friends cast doubt on his abilities, pushing him to leave his home in search of his true purpose. His journey leads him to a small village in Kerala, where an unexpected encounter with D. Salman (Nithin Prasanna) alters his life trajectory. The film follows Satya’s challenges, the new relationships he forms in Kerala, and his pursuit of a career in acting. Will Satya achieve his dreams, or will he be forced to accept failure?
Strengths:
The film takes viewers on an emotional ride, beautifully capturing the struggles and resilience of someone chasing their dream. Shivakumar Ramachandravadupu delivers an authentic performance as Satya, imbuing the character with sincerity and depth. His portrayal of a determined dreamer is both engaging and relatable. Nithin Prasanna, in the role of D. Salman, brings a charismatic balance of humor and subtlety, enhancing the film’s charm.
Shruthi Jayan also shines in her role, adding emotional depth to the narrative. Her scenes with the lead characters are both poignant and entertaining, particularly in the second half, where the story picks up a lighthearted tone. The climax, filled with emotion, leaves a lasting impression and provides a thoughtful conclusion.
Weaknesses:
One of the film’s major issues is its pacing, especially in the first half. Several scenes feel unnecessarily prolonged, slowing down the overall narrative. Satya’s decision to go to Kerala lacks sufficient explanation, leaving viewers confused about his motivations.
The second half, while humorous, sometimes strays off course, with some scenes feeling disconnected from the main storyline. Although the core narrative has potential, its execution feels uneven, resulting in an emotional experience that doesn’t always hit the intended marks. More focused storytelling and tighter pacing could have made the film more impactful.
The music, while decent, doesn’t leave a significant impression, with only a couple of tracks standing out. Although the Kerala setting offers beautiful visuals, certain dialogues in Malayalam may not resonate well with Telugu audiences.
Technical Aspects:
Director Rishikeshwar Yogi presents a story with a strong premise, though the film’s presentation could benefit from more refinement. While the Kerala backdrop is visually striking, it occasionally feels disconnected from the story’s essence, affecting its relatability. Yogi’s editing also falls short at times, contributing to the film’s slow pace. Nyx Lopez’s music has a few notable tracks, and the background score is adequate. Fahad Abdul Majeed’s cinematography is commendable, beautifully capturing the scenic beauty of Kerala, while the production values are solid.
Conclusion:
Overall, Narudi Brathuku Natana offers some entertaining moments, especially with Satya’s heartfelt journey. However, its slow pacing, disjointed scenes, and lack of cohesive storytelling might leave some viewers wanting more. While fans of travel-based stories may find parts of it appealing, others may prefer to skip it for more engaging alternatives.