Review of “Lal Salaam” Directed by Aishwarya Rajinikanth. In Kollywood director Aishwarya Rajinikanth’s latest offering, “Lal Salaam,” audiences witness a tale set in Kasumuru village. The narrative revolves around former friends turned bitter rivals, Guru (Vishnu Vishal) and Samshuddin (Vikrant), amidst escalating tensions between villages. The entry of Moideen Bhai (Rajinikanth), a Mumbai-based businessman with ties to Guru’s village, sets the stage for a series of events that challenge loyalties and test the possibility of reconciliation.
Highlights:
Vishnu Vishal’s performance adeptly captures the essence of his character, complemented by the film’s authentic portrayal of village life and retro aesthetics. Rajinikanth’s presence adds gravitas, particularly in his role as Vikrant’s father.
Jeevita Rajasekhar’s natural performance and the competent supporting cast contribute positively to the film’s narrative.
Drawbacks:
“Lal Salaam” falters in its storyline and pacing, failing to offer a fresh perspective on familiar themes. The emotional depth falls short, exacerbated by a lackluster background score.
The unfamiliar cast and questionable dubbing choices detract from the film’s impact, while certain characters add little value to the overall narrative.
Technical Evaluation:
Aishwarya Rajinikanth’s dual responsibilities as director and screenwriter struggle to elevate the film beyond mediocrity. Despite satisfactory editing and cinematography, the film’s lengthy runtime and uninspired score hinder its potential.
Conclusion:
“Lal Salaam” presents a lackluster cinematic experience, marred by average performances and narrative shortcomings. While Rajinikanth’s presence offers some solace, it fails to salvage the film from its overall disappointment. Viewers may opt for alternative entertainment options this weekend, given the film’s inability to leave a lasting impression.