Govinda Naam Mera: An Entertaining Crime Comedy Thriller
Cast:
- Vicky Kaushal
- Bhumi Pednekar
- Kiara Advani
- Sayaji Shinde
- Amey Wagh
- Renuka Shahane
Crew:
- Director: Shashank Khaitan
- Producers: Hiroo Yash Johar, Karan Johar, Apoorva Mehta, Shashank Khaitan
- Music Directors: Sachin-Jigar, Tanishk Bagchi, Meet Bros, B Praak, Rochak Kohli
- Cinematography: Vidushi Tiwari
- Editor: Charu Shree Roy
Overview:
Recently, many high-profile films have opted for direct OTT releases. The latest to follow this trend is “Govinda Naam Mera,” starring Vicky Kaushal. This crime comedy thriller, featuring Kiara Advani and Bhumi Pednekar, is now available on Hotstar. Here’s a look at what the film has to offer.
Storyline:
Govinda (Vicky Kaushal) is stuck in an unhappy marriage with his wife, Gauri (Bhumi Pednekar), and is involved in an extramarital relationship with Suku (Kiara Advani), a fellow choreographer. Desperate for a divorce, Govinda is thwarted by Gauri’s demand for a two-crore alimony. Meanwhile, he also deals with a property dispute with his stepbrother and conflicts with Ajith Dharkar (Sayaji Shinde). Amidst these troubles, Govinda and Suku find themselves entangled in a murder case. The story unfolds as they try to clear their names and resolve their issues.
Highlights:
Vicky Kaushal delivers a strong performance, adeptly portraying a man overwhelmed by his problems. His comedic timing enhances the film’s lighter moments. Kiara Advani shines in her role as Suku, particularly in a pivotal jail scene where her acting stands out. The film’s final thirty minutes are engaging, with unexpected twists and a well-executed cameo by a star hero.
Drawbacks:
The writing excels in the final act but falters elsewhere. The screenplay lacks the excitement needed to fully engage viewers, especially during the first hour, which is filled with generic moments and subplots that fail to leave an impact. The segments featuring Sayaji Shinde and his son are particularly mundane, and the overall narrative becomes predictable before the climax. Additionally, attempts at comedy often fall short.
Technical Aspects:
The music and production values are commendable. Vidushi Tiwari’s cinematography suits the film’s tone, though the editing could have been sharper, with better scene interlinking. Director Shashank Khaitan’s handling of the story and screenplay is average. While the plot has potential, the screenplay’s execution leaves much to be desired, and the subplots add confusion rather than depth.
Conclusion:
“Govinda Naam Mera” has its moments, particularly in the final act and through its performances. However, a tighter and more engaging screenplay could have elevated it from a merely okay watch to a standout film.