“Dhimahi,” bearing the tagline “Jaya Jaya Hai Mahishasura Mardhini,” has hit theaters today, marking the silver screen debut of young actor Sundeep Pagadala. Directed by Naveen Kante and Saahas Pagadala, the film is produced by Virat Kapur and Saahas Pagadala under the banner of Captain Cook Films. Dive into our review to uncover the essence of the movie.
Plot:
Karthik (played by Sundeep) is a thriving surgeon based in the USA. His niece, Mahi (Aashika Pagadala), affectionately known as Dhimahi, holds a special place in his heart, akin to that of his late mother. However, tragedy strikes when Mahi is kidnapped and subsequently murdered, shattering the family. Determined to seek justice, Karthik delves into the realm of necromancy to communicate with Mahi’s spirit. The narrative revolves around Karthik’s relentless pursuit to unveil the identity of Mahi’s killer.
Highlights:
The central theme of communicating with departed souls, intertwined with elements of emotions and vengeance, forms a compelling storyline. Particularly noteworthy are the scenes depicting Karthik’s interactions with Mahi’s spirit and his quest for justice. Sundeep Pagadala’s portrayal of the protagonist, his emotional journey, and the injustices faced by Ashika Pagadala’s character are commendable.
The film boasts some poignant emotional moments and gripping action sequences. Sundeep delivers a commendable performance, while Nikita Chopra shines with her authentic portrayal. Supporting actors like Sreejith Gangadharan and Soujanya also contribute decent performances.
Drawbacks:
“Dhimahi” ventures into familiar territory explored by numerous Telugu films, revolving around ghosts and supernatural elements. While Karthik’s endeavor to communicate with his deceased niece is intriguing, the resolution of their storyline feels lacking. Additionally, certain sequences unfold at a sluggish pace, failing to effectively address the primary conflict. The connectivity between key characters is somewhat disjointed, and Karthik’s character arc lacks consistency. Despite an engaging premise, lapses in logic and an inconsistent screenplay hinder the film’s momentum.
Technical Aspects:
The emotional resonance of the story is amplified by a compelling plot. However, the musical compositions by Sharon Ravi fail to leave a lasting impression. The cinematography effectively captures the essence of the settings, offering visually stunning landscapes. Editing falls short of expectations, while the production values are commendable.
Verdict:
“Dhimahi” presents an emotional saga intertwined with elements of horror and revenge. While certain sentimental moments strike a chord with the audience, the film falters due to its sluggish pacing and lack of engaging content in the latter half. Overall, “Dhimahi” may appeal to audiences fond of the horror genre, albeit with tempered expectations.