“Review: ‘Das Ka Dhamki’ – An Entertaining Yet Flawed Tale”
Featuring Vishwaksen, Nivetha Pethuraj, Rao Ramesh, Rohini Molleti, Ajay, Hyper Aadi, Akshara Gowda, Shaurya Kare, Mahesh Achatna & Others
Directed by: Vishwaksen
Produced by: Karate Raju
Music by: Leon James
Cinematography: Dinesh K Babu
Editing: Anwar Ali
Vishwaksen’s latest offering for Telugu New Year, “Das Ka Dhamki,” promises entertainment under his direction. The film, starring Vishwaksen himself alongside Nivetha Pethuraj, unfolds a tale of ambition, mistaken identities, and unforeseen challenges. Let’s delve into the narrative and its execution.
Synopsis:
Krishna Das (Vishwaksen), a waiter aspiring for a better life, crosses paths with Keerthi (Nivetha Pethuraj), leading to a whirlwind romance. Concealing his modest profession, Krishna portrays himself as affluent to Keerthi. Meanwhile, Dr. Sanjay Rudra, Krishna’s doppelgänger and CEO of SR Pharma Pvt. Ltd., endeavors to revolutionize cancer treatment. However, tragedy strikes as Sanjay meets with a fatal accident. In a bid to salvage the pharmaceutical company, Krishna assumes Sanjay’s identity, leading to unforeseen consequences that alter his life trajectory.
Highlights:
Vishwaksen delivers a compelling performance, seamlessly transitioning between characters and injecting liveliness into the narrative. The first half, propelled by Vishwaksen’s antics and comedic timing, keeps the audience engaged. Nivetha Pethuraj adds charm and chemistry to the storyline, maintaining the fun quotient even in romantic sequences. Supporting cast members like Rao Ramesh contribute adequately to their roles.
Drawbacks:
Despite the anticipation surrounding the second half, it fails to deliver the promised impact. The storyline, albeit simple, gets overshadowed by a barrage of contrived twists, undermining its credibility. Abrupt editing further detracts from coherence, while attempts to sustain interest through entertainment fall short. The handling of the cancer drug subplot lacks depth, resulting in tedious moments. Notably, the placement of an item number feels incongruous, diminishing the overall impact. Regrettably, talented actors like Rohini are underutilized in insignificant roles.
Technical Excellence:
Leon James’s background score complements the narrative, enhancing the cinematic experience. Dinesh K Babu’s cinematography lends visual appeal to every frame, while production values remain commendable. However, editing inconsistencies hamper the overall cohesion of the film.
Verdict:
“Das Ka Dhamki” offers intermittent entertainment, propelled by Vishwaksen’s dynamic performance. While the first half captivates with its humor and charm, the second half falters due to convoluted storytelling and predictable twists. Despite its shortcomings, the film warrants a watch, albeit with tempered expectations.
Overall, “Das Ka Dhamki” entertains in parts but falls short of fulfilling its lofty promises. Viewers may find enjoyment in its lighter moments but should approach with caution.