Brahmastra Review Filmy4wap
Cast:
- Amitabh Bachchan
- Ranbir Kapoor
- Alia Bhatt
- Mouni Roy
- Nagarjuna Akkineni
- Dimple Kapadia
- Shah Rukh Khan
Director: Ayan Mukerji
Producers: Karan Johar, Apoorva Mehta, Namit Malhotra, Ranbir Kapoor, Marijke Desouza, Ayan Mukerji
Music Directors: Simon Franglen, Pritam
Cinematography: V. Manikandan, Pankaj Kumar, Sudeep Chatterjee, Vikash Nowlakha, Patrick Duroux
Editor: Prakash Kurup
Overview:
“Brahmastra,” a film that has been in development for approximately seven years, finally arrives in theaters featuring Ranbir Kapoor and Alia Bhatt. Available in multiple languages, it’s time to evaluate whether the film meets the high expectations.
Plot Summary:
Shiva (Ranbir Kapoor) is a DJ who has an inexplicable connection with fire and frequently dreams about a powerful weapon, an Astra, that a dangerous gang seeks. Junoon (Mouni Roy) is determined to find a segment of an anklet that, when combined with two other parts, could bring about the end of the world. The film’s universe, known as the Astraverse, intertwines with Shiva’s life. The story delves into Shiva’s identity, his mission to save the world, and the roles played by Alia Bhatt, Nagarjuna, and Amitabh Bachchan. To uncover these answers, viewers must watch the film.
Positive Aspects:
The integration of various Astras into the storyline is compelling, with Ayan Mukerji’s core concept set against an intriguing backdrop. The significant investment in the film is evident in its production quality.
Ranbir Kapoor excels as Shiva, especially during the film’s climax, while Alia Bhatt supports him well, showcasing strong on-screen chemistry. Despite a limited role, Nagarjuna makes a notable impact, particularly during a pivotal interval scene. Mouni Roy shines as the primary antagonist, skillfully holding her own against seasoned stars. The film’s second half is more cohesive, and the climax features impressive thrills and decent VFX. Shah Rukh Khan’s cameo is a pleasant surprise.
Negative Aspects:
A primary issue is the excessive use of VFX, leading to repetitive and, at times, unimpressive visuals. The first half’s VFX, in particular, appear subpar. The emphasis on the romance between Alia and Ranbir lacks depth, detracting from the main plot. The film takes too long to develop its core story, with the explanation of the Astraverse being somewhat unclear, potentially confusing the audience.
The lengthy runtime necessitates trimming, and the action sequences often seem unrealistic due to overuse of graphics. The dense packing of Astras and their lore in the second half can feel overwhelming. The screenplay fails to maintain consistent engagement, and Amitabh Bachchan’s role does not significantly enhance the narrative.
Technical Aspects:
The film’s substantial budget is reflected in its visuals. Pritam’s music is commendable, though Simon’s background score is overly loud. The VFX effectiveness is inconsistent. With multiple cinematographers involved, some scenes appear outdated, likely due to the prolonged production period. The production design is underwhelming, and the editing could be sharper.
Director Ayan Mukerji, known for his slice-of-life films, tackles an ambitious project with “Brahmastra.” While the idea of an Indian Astraverse is intriguing on paper, the execution falls short. The film lacks emotional depth, which hampers its impact. Mukerji’s heavy reliance on VFX results in a disjointed narrative, with romance and action elements poorly integrated.
Verdict:
“Brahmastra” is a watchable action drama with an interesting premise. Despite its narrative flaws and overdone VFX, the film offers enough intrigue through its storyline and visual grandeur to be considered a decent weekend watch. The association with Rajamouli will likely draw Telugu audiences, but broader success depends on word of mouth.