After the blockbuster success of Waltair Veerayya, Megastar Chiranjeevi graces the big screen once again with his latest film, Bholaa Shankar. Directed by Meher Ramesh after a decade-long hiatus, the movie made its global debut today. Let’s delve into our review to gauge the film’s reception.
Plot Overview:
Shankar (Chiranjeevi), a taxi driver, arrives in Kolkata with his sister Mahalakshmi (Keerthy Suresh) for her education. Simultaneously, a mafia gang led by Alex (Tarun Arora) kidnaps girls in the city. Shankar intervenes in one of their kidnappings, prompting Alex to seek revenge. The unfolding events reveal the mysteries surrounding Shankar’s identity and past.
Highlights:
Megastar Chiranjeevi, known for understanding his fans’ preferences, once again delivers a performance that caters to their tastes. His mass appeal is a treat for his fans, showcasing his prowess in both action and emotional sequences.
Keerthy Suresh receives a substantial role, and her impressive performance adds depth to the emotional aspects of the film. Tamannaah Bhatia, although with limited screen time, shines in her role, contributing to the movie’s visual appeal.
The well-choreographed action sequences and commendable cinematography by Dudley enhance the overall viewing experience. Dudley’s work, especially during the fight scenes, stands out.
Drawbacks:
The narrative takes a hit as the story follows a predictable and routine trajectory. Despite Chiranjeevi’s efforts to elevate the film through his acting, there’s a lack of standout moments, and the story lacks freshness.
Director Meher Ramesh falls short in delivering an engaging screenplay, missing the opportunity to make the movie more enjoyable. Some scenes in both halves could have benefitted from better treatment.
The absence of energetic dance moves and impactful songs, typical of a Chiranjeevi movie, is disappointing. Mahati Swara Sagar’s music fails to leave a mark, and the overall score is subpar.
The film features numerous characters that contribute little to the narrative, with actors like Uttej, Raja Ravindra, and Brahmaji needing more substantial roles. Tamannaah’s limited presence restricts her ability to showcase her acting prowess.
Technical Aspects:
Meher Ramesh, while effectively designing Chiranjeevi’s character, falls short in crafting an engaging screenplay, missing the opportunity to elevate the movie.
Composer Mahati Swara Sagar’s music lacks impact, and the editing by Marthand K Venkatesh could have been more polished. Dudley’s cinematography, however, stands out, enhancing the overall visual appeal. The production values are commendable.
Verdict:
In conclusion, Chiranjeevi’s Bholaa Shankar is a middling action drama featuring decent performances from Chiranjeevi and Keerthy Suresh. While some comedy scenes work well, the movie suffers from unnecessary sequences and a lackluster screenplay. Viewers are advised to manage their expectations, as Bholaa Shankar fails to deliver the anticipated high moments and is marred by a sluggish narrative.