“Aarambham: A Review of the Telugu Film’s Debut Journey”
Starring: Mohan Bhagat, Supritha Sathyanarayan, Bhooshan, Ravindra Vijay, Laxman Meesala, Boddepalli Abhishek, Surabhi Prabhavathi
Director: Ajay Nag V
Producer: Abhishek V Thirumalesh
Music Director: Sinjith Yerramilli
Cinematographers: Devdeep Gandhi Kundu
Editors: Aditya Tiwari, Preetham Gayathri
The Telugu film “Aarambham,” featuring Mohan Bhagath, Bhooshan Kalyan, and Ravindra Vijay in lead roles, graces theaters today. Dive into our review to uncover its essence.
Plot:
Mighel (Mohan Bhagath), a prisoner from Kalaghati Jail, orchestrates a perplexing escape, leaving authorities bewildered. Seeking aid, officers enlist the help of two detectives, Chaitanya (Ravindra Vijay) and Madhav (Abhishek Boddepalli). As the investigation progresses, startling revelations about Mighel and his disappearance surface. Who is Mighel? How did he execute his vanishing act? Are there external forces at play? Join the detectives on their journey to unravel the truth.
Highlights:
Director Ajay Nag V merits applause for presenting a unique narrative in Tollywood. His debut directorial venture showcases promise for future explorations into diverse storylines.
Mohan Bhagath delivers a commendable performance, supported by Ravindra Vijay’s portrayal as a detective and Surabhi Prabhavathi’s convincing depiction of Mohan Bhagath’s mother. Laxman Meesala adds a touch of humor with his impeccable timing.
The emotional exchanges between Mohan Bhagath, Professor Subramanya Rao (Bhooshan Kalyan), and Mohan’s mother resonate well. Certain scenes in the first half evoke curiosity, setting the stage for further revelations.
Critiques:
While the storyline is intriguing, its exploration of the Dejavu phenomenon might not resonate with all viewers. The execution of these scenes could have been more captivating to sustain interest.
The emotional depth between the mother and son could have been further developed to establish a stronger connection. Additionally, a deeper exploration of the Dejavu concept and enhanced character development, especially for Supritha Sathyanarayana, would have enriched the viewing experience.
The film suffers from unnecessary elongation during flashback sequences, leading to moments of monotony. Moreover, the lack of thrilling moments during the investigation phase diminishes the overall excitement.
Technical Aspects:
Director Ajay Nag’s storytelling style caters to a specific audience. However, a crisper screenplay adaptation of Neenu Ninnolage Khaidi (a Kannada novel) could have elevated the narrative.
Though the dialogues by Sandeep Angadi suffice, Sinjith Yerramilli’s music and score add a soothing ambiance. Devdeep Gandhi Kundu’s cinematography is satisfactory, while the editing by Preetam Gayatri and Aditya T Tiwari could have been more refined. The production values meet expectations.
Verdict:
In conclusion, “Aarambham” falls short of delivering an immersive experience. Despite commendable performances by Mohan Bhagath, Ravindra Vijay, and Bhooshan Kalyan, the film’s prolonged sequences and lack of excitement in both halves detract from its appeal. Consider exploring alternative entertainment options this weekend.